The poetic image in the work of Victor Luz

It is about the delicacy that invades the poetic imaginary of a gaze fixed on the performative lens, where painting and photography, literature and sculpture, seem created by voices that come and go in the cadence of the rhyme, as if rhyming were just to alter the sonority of the letters and not the symmetrical composition of space, and thus builds the creator, clinging to the cloud of time, drawing a geometry of complex soul in a disturbing time, resonating fixed lines, cylindrical curves, in the anxious quietness of human sensibility, of the author, detailed, synoptic, noun, looking for the melody of the word, the stability of the drawing, the eternity of memory, the cities figured as Calvino conceived them, laden with stories, are the colors that tell us, the totality, as if abstraction, in symmetrical visualisations, apparently epic, dramatically selected, corresponded to the grammar of creation, but the images do not overlap, because the history of who was is the constancy of what will be, made of entirely localised layers, thick in the condition of the tragic, the longing, always eternal, spherical, the rings sumptuously described in the intertwined threads, fabrics, intertwined, there are fixed points in a world conceived as will, silently said, there are visualisations intrinsic to the enormity of the cries that we hear and that dry, but it is there, in the infinite straight line where we touch the poetic image, the hoarse volume of the heard walls, of world's whisper, which makes the author a constructivist of the plastic conception of metaphor.

This is what the future will speak of.